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Pollyanna: the book vs. the movie

Pollyanna (1960) — Walt Disney's version, with Hayley Mills and Jane Wyman · Pollyanna (1920) — Mary Pickford's silent version — 58 minutes, restored · Pollyanna (2003) — the ITV film shown on Masterpiece, moved to an English village

Read first, or watch first?

Order matters less here than it does with A Little Princess, where the film rewrites the ending outright. But lean book-first anyway, for a plain reason: the film's plot is a genuinely different plot. A kid who watches first will spend thirty-two chapters waiting for a bazaar, a town uprising and a fall from a window, none of which arrive; a kid who reads first gets to watch the film as a variation and enjoy spotting the seams. If it's one evening and one screen, take the 1960 Disney — two hours and eight minutes, and Swift deliberately made his Pollyanna a rounder child than Porter's, which some families will prefer and some will feel cheated by. The 1920 Mary Pickford is the one worth knowing about: fifty-eight minutes, silent, released in the last year of Porter's life, and it rents for about two dollars.

What the movie changed

01

A different accident, on purpose

In the book Pollyanna is hit by a motor car crossing the road on her way home from school, and nobody can afterwards say why it happened or whose fault it was. Director David Swift cut that — "Too coincidental. Too pat." — and has her fall from the window ledge instead, climbing a tree back up to her attic after sneaking out to the bazaar she was forbidden to attend. Same injury; completely different question about who is to blame.

02

Aunt Polly owns the town

The film invents a civic plot the book has no trace of. Harrington runs on Aunt Polly's money, she blocks the rebuilding of the orphanage, the townspeople defy her by throwing a bazaar for it, and Reverend Ford declares for them from the pulpit. In Porter's Beldingsville, Aunt Polly is one cold rich woman in one big house, and the town is just the town.

03

John Pendleton becomes Mr. Pendergast

The film keeps the recluse, the prisms and the adoption of Jimmy Bean, and drops what the book is actually doing with him. In the novel he turns out to have asked Pollyanna's mother to marry him long ago and been refused — that is why he wants to adopt her daughter, and it is the setup for Aunt Polly's own secret in the last chapters. Renaming him cuts the whole thread.

04

The film stops before the answer

Disney takes Pollyanna to the train for Baltimore and an operation, and leaves whether she walks up to you. Porter's last chapter is a letter in Pollyanna's own hand: six steps today, from the bed to the window, and eight promised for tomorrow. Hayley Mills won the Academy Juvenile Award for this performance at the 1961 ceremony — the last one ever given, in a category the Academy then retired.

What only the book has

01

Mrs. Payson comes to the door

In chapter 28 a woman the respectable families of Beldingsville do not visit knocks anyway, red-eyed, to ask after the child who used to stop and play with her children on the Pendleton Hill road. Porter never says what she is; the woman says it herself, sideways — "Maybe if they DID call more, Miss Harrington, there wouldn't be so many—of my kind." No adaptation has ever kept her.

02

The Ladies' Aid, drawn from life

Pollyanna, who was raised by a Ladies' Aid, walks into a meeting of one to ask them to take in Jimmy Bean, and they turn her down: money sent to boys in India shows up in the report they send away, and a boy from down the road does not. Porter was writing the book as a weekly serial for a religious newspaper at the time, which makes the scene sharper, not softer.

03

The six chapters when it stops working

After she overhears the verdict on her legs, Pollyanna spends the rest of the book unable to play her game, and keeps saying so to everyone who comes upstairs hoping she'll be glad about something. The films compress that stretch or skip past it. It is the part that keeps her from being only sunshine, and it is why the ending lands.

04

Nancy's voice

The kitchen maid gets the best lines in the book and half its comedy — "My stars and stockings!", "I do, I do", "I ain't sayin' that I'll play it very well… but I'll play it with ye, after a fashion—I just will, I will!" She is the first person to agree to play the game and the one who plays it worst, and she says out loud the things about Aunt Polly that nobody else in the house will.

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